After Al Capone is imprisoned, he still continues to run his empire, and plots to assassinate the mayor of Chicago.

Alphonse Gabriel Capone, the most infamous gangster of all time. He was cut across the left cheek during a fight when he was young, earning him the moniker "Scarface." He moved to Chicago in 1919 and worked with infamous gangster Johnny Torrio to help run illicit operations there. In the Roaring Twenties, Al Capone ruled an empire of crime in the Windy City: gambling, prostitution, bootlegging, bribery, narcotics trafficking, robbery, "protection" rackets, and murder. And it seemed that law enforcement couldn't touch him. That was until one fatal night in 1929.

Takarazuka Snow Troupe 2015 production based on the life of Al Capone. The year is 1929, in a prison in New Jersey. Here, wearing a Divan watch too extravagant for the setting, sits one man: Al Capone. As everyone knows, he’s an American gangster. In a cell arranged especially for him, he gulps down law-prohibited bourbon, next to him sits the script for a new Hollywood screenplay that is in production. The title is “Scarface.” It is plain that that word represents Al. Before the writer of this script, Al begins to tell the lesser known “truth of Al Capone.”

The 47-year old Al Capone, after 10 years in prison, starts suffering from dementia and comes to be haunted by his violent past.

In 1934, J. Edgar Hoover and the boys made headlines for mowing down John Dillinger in a hail of bullets outside Chicago's Biograph theater. But in fact, according to this Jon Purdy gangster thriller, the Feds iced Dillinger's brother. Fast-forward five years, when mobster kingpin Al Capone (F. Murray Abraham) gives the real Dillinger (Martin Sheen) an offer he can't refuse: rob millions from a secluded vault or watch his wife and child get whacked.

The dorkiest thing in the world, according to feminist poet Sigrid, is the movie cliche of the young woman who in the morning dons her male lover's shirt, looking adorably "indie cute". But when she begins a relationship with Kåre Tryvle, she has difficulties living up to her ideals. Meanwhile, pregnant performance artist Trine is planning to give birth in a cage, dressed up as Marie Antoinette, on camera, and factory worker Astrid is looking for the son she had adopted away.

The dorkiest thing in the world, according to feminist poet Sigrid, is the movie cliche of the young woman who in the morning dons her male lover's shirt, looking adorably "indie cute". But when she begins a relationship with Kåre Tryvle, she has difficulties living up to her ideals. Meanwhile, pregnant performance artist Trine is planning to give birth in a cage, dressed up as Marie Antoinette, on camera, and factory worker Astrid is looking for the son she had adopted away.

The idea of ​​the Plateau program is his ironic view of things and his observations on people's lives that made him act as an actor because he loves to observe people and ask questions about them.

The struggles of 10 talented soldiers out to protect their homeland against its enemies.

During a couple of days, different extreme situations lead the characters to discover that human relationships is what keep us on foot when we are about to fall: the love of a father towards his son choices, the unconditional love of a friend, the homefeeling of a neighbour who's almost part of the family. On the edge explores those extreme experiences that confront us with our prejudgments, exposing them and giving them a new meaning.